David Bridges
“What if Wicked and The Substance had a grubby baby?” This thought-provoking headline encapsulates the essence of my review of The Ugly Stepsister from Sundance 2025, where I enthusiastically embraced this innovative fairytale that intertwines elements of violent beauty treatments and unsettling body horror. This film bravely tackles the darker aspects of familiar narratives, pulling viewers into a world that is both familiar and shockingly new, making it a must-see for those who appreciate a twisted yet captivating story.
How ‘The Substance’ broke the Oscars mold
Under the masterful direction of Emilie Blichfeldt, The Ugly Stepsister offers a refreshing reimagining of the beloved Cinderella tale, presenting it through the eyes of one of her underestimated siblings. Elvira, portrayed by the talented Lea Myren, yearns to forge a friendship with her elegant and poised new stepsister, Agnes (played by Thea Sofie Loch Næss). However, Elvira’s desires extend beyond mere companionship; she also longs for the affections of the prince, who captivates her with his poetry, igniting her romantic fantasies. When Elvira’s mother promises her an opportunity to dazzle at the upcoming royal ball, she becomes desperate enough to undergo a medieval nose job without anesthesia, setting the stage for an increasingly gruesome journey.
As highlighted in my review—featured in the trailer—The Ugly Stepsister stands out as a deranged and dizzying cinematic achievement. It masterfully integrates a timeless narrative with sharp modern satire and daring body horror elements. Simply put, this film is a brutal yet strangely beautiful exploration of ambition and identity, pushing the boundaries of traditional storytelling and challenging viewers to reconsider their perceptions of beauty and worth.
Mark your calendars: The Ugly Stepsister is set to premiere in theaters on April 18, promising an unforgettable cinematic experience that dares to venture into the darker sides of fairy tales.
Daniel Mercer
