On the entire, Netflix’s films usually are not excellent. Certain, it has launched plenty of movies by status filmmakers through the years (flicks by Martin Scorsese, David Fincher, the Coen brothers and Richard Linklater all spring to thoughts) however, in the case of the platform’s median viewing expertise, these films are typically outliers. Most of the time, the films that the streaming juggernaut produces are low-budget, poorly written, barely entertaining items of crap that operate higher as ambient background noise for family chores than engrossing cinematic experiences you truly need to watch.

Nevertheless, in line with a brand new report from Bloomberg, the streaming platform has a brand new plan to show all that round. The brand new technique is that this: make fewer films in order that those that do get made aren’t shitty. Sure, Dan Lin, Netflix’s movie chairman, is making an attempt to ditch the platform’s content material mill mannequin, in an effort to give attention to producing higher-quality content material. Beneath Lin, Netflix plans to launch 25 to 30 films per 12 months, versus the businesses typical output of fifty flicks a 12 months. The streaming service nonetheless plans to launch what it calls a “tentpole” (learn: huge finances) function as soon as each quarter, although, total, the purpose is to carry “prices beneath management” on the firm.

Bloomberg writes that, to execute this imaginative and prescient, Lin has “restructured Netflix’s movie division,” reducing some workers positions whereas refocusing others. Beneath this new system, particular person executives are actually in command of sure genres, permitting for tighter give attention to explicit kinds of content material:

“Ori Marmur oversees motion and sci-fi, whereas Niija Kuykendall handles faith-based initiatives, in addition to vacation and young-adult fare. Kira Goldberg handles dramas and thrillers. Lin additionally employed a few veteran studio executives in Doug Belgrad and Hannah Minghella, each previously of Sony, to assist run the present.”

That is actually a change. Earlier to Lin, Netflix’s movie division was run by an government named Scott Stuber who, as Selection places it, had one clear mandate: “amount, not high quality.” Within the six years that Stuber ran Netflix’s movie technique, the streamer pumped out a veritable tsunami of films, a few of which have been good however lots of which have been deeply, deeply horrible. Stuber left Netflix in March to pursue a profession in movie producing, clearing the way in which for Lin to take the reins and start pivoting the corporate’s total content material technique.

Does this imply that Netflix will cease greenlighting stuff like Tall Lady 2 and Hubie Halloween and start producing fare that higher resembles the Hollywood hits of yesteryear? It’s unclear. I’d personally desire it if Netflix simply didn’t exist in any respect, as that will enable all the eye, funding, and expertise at the moment being hoarded by the streamer to be channeled again into the normal movie trade. That mentioned, so long as Netflix does exist and continues to dominate the leisure trade, it certain could be nice if nearly all of the films that it produced have been watchable as a substitute of unwatchable.