Lion King Soundtrack: The Villain’s Anthem Unleashed

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SPOILER ALERT: This article delves into the intricate plot details of “Mufasa: The Lion King,” set to premiere in theaters on December 20.

Lin-Manuel Miranda demonstrates a profound understanding of crafting impactful Disney songs.

After receiving numerous Grammys and earning Oscar nominations for his memorable compositions for “Moana” and “Encanto,” including the iconic tracks “How Far I’ll Go” and the viral sensation “We Don’t Talk About Bruno,” Miranda has collaborated with renowned composer Alan Menken to enrich the soundtrack for the 2023 live-action adaptation of “The Little Mermaid.” Furthermore, he has penned six brand new songs for the much-anticipated “Lion King” prequel, “Mufasa,” directed by Barry Jenkins. With Miranda’s extensive expertise in the enchanting world of Disney, he is exceptionally well-equipped to carry on the illustrious musical tradition established by “The Lion King.” The original 1994 animated classic features unforgettable songs like “Circle of Life,” “I Just Can’t Wait to Be King,” “Hakuna Matata,” and “Can You Feel the Love Tonight.”

Miranda expressed his admiration for the original soundtrack, describing it as an exceptional collection of hit songs, saying, “That original album is like an all-bangers, no skips album,” during a recent appearance on “The Tonight Show with Jimmy Fallon.” His respect for the timeless tracks written by Elton John and Tim Rice is evident.

The soundtrack for “Mufasa” opens with “Ngomso,” performed by the talented South African artist Lebo M, whose distinctive vocals are closely associated with the essence of “The Lion King.” This is followed by Miranda’s original songs, sung by the film’s voice cast, featuring Aaron Pierre as the young Mufasa and Kelvin Harrison Jr. as his adopted brother Taka, who will eventually take on the identity of Scar.

Miranda has mentioned that his children, Sebastian and Francisco, serve as initial listeners for determining a song’s appeal. So, which tracks have captured their attention and become their favorites?

Without skipping a beat, Miranda reveals, “’I Always Wanted a Brother’” is a standout in our household. Additionally, “’Bye Bye’ has become another catchy tune we enjoy.”

“I Always Wanted a Brother” was one of the first compositions Miranda created for the film, inspired by a poignant dialogue from Jeff Nathanson’s script. In this moment, Taka, who is destined for royalty, rescues Mufasa after he becomes separated from his family due to a tragic incident.

“I knew immediately that it would be the title of the song,” Miranda recalls. The creative process flowed seamlessly from that point: “I didn’t have to look far beyond my own experiences at home—I have two boys aged six and ten who drive each other crazy, yet they also protect and stand up for one another. Writing about such a sibling relationship was incredibly natural for me.”

The latter track serves as the villain’s anthem, crafted for Kiros, a formidable lion voiced by Mads Mikkelsen. Initially, the script did not call for a solo performance, but Miranda recognized the unique opportunity to have an iconic Bond villain perform a dancehall-inspired number, which he found irresistible.

“I know it sounds like an odd combination, but I believe peanut butter and pickles are two great flavors that work well together,” Miranda shares as he recounts his successful pitch to Jenkins.

Continue reading as Miranda, Jenkins, and the talented “Mufasa” cast delve into the intricacies of the film’s enchanting soundtrack.

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  • David Bridges

    David Bridges

    David Bridges is a media culture writer and social trends observer with over 15 years of experience in analyzing the intersection of entertainment, digital behavior, and public perception. With a background in communication and cultural studies, David blends critical insight with a light, relatable tone that connects with readers interested in celebrities, online narratives, and the ever-evolving world of social media. When he's not tracking internet drama or decoding pop culture signals, David enjoys people-watching in cafés, writing short satire, and pretending to ignore trending hashtags.

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