Sinners has garnered attention primarily due to the exciting portrayal of Michael B. Jordan playing dual roles as twins, alongside the thrilling element of battling vampires. While both of these aspects are certainly present, the heart of the film lies with Sammie (played by Miles Caton), the young cousin of the SmokeStack twins. The narrative unfolds around Sammie’s extraordinary musical talents, which serve as a magnet, attracting the townsfolk of 1930s Clarksdale to the twins’ vibrant juke joint. Interestingly, even vampires are drawn to the lively atmosphere, initially seeking a mere invitation to join the festivities. However, what starts as a simple request quickly escalates into a fierce takeover, setting the stage for the unfolding drama of the film.

In the aftermath of the chaos, Sammie emerges as the sole human survivor from that fateful night at the juke joint. Rather than retreating to his family and abandoning his musical dreams, Sammie chooses to leave his hometown behind and embarks on a journey to become a renowned blues musician. Fast forward to 1992, we find an older Sammie, portrayed by the legendary Buddy Guy, who has just finished a performance. To his surprise, two familiar faces from his past appear: Stack and his girlfriend Mary (played by Hailee Steinfeld). Both characters were transformed into vampires in 1932 and had fled the scene, unlike other vampires who perished when the sun rose. Smoke had granted Stack his life under the condition that he would leave Sammie undisturbed, but the ageless couple felt compelled to check on the preacher boy. They extend an offer to turn him into a vampire so he could enjoy eternal life and continue performing, but Sammie gracefully declines, sending them off with a heartfelt rendition of classic blues reminiscent of his earlier days.

In a conversation with Entertainment Weekly, director and writer Ryan Coogler shared insights into the challenges he faced while filming a pivotal scene. When Coogler inquired about how Jordan’s character Stack would react in that moment, his longtime collaborator decided to slip on his fake fangs and lean in close to Guy’s neck. At the time, Jordan was already dressed in his 90s attire, complete with contact lenses to create Stack’s glowing eyes, and Guy, at 88 years old, was a bit of a concern for Coogler. However, it turned out to be just a warm embrace, marking a significant and enlightening moment for the filmmaker.

“Bro, I broke down in tears because I realized this whole movie was about that,” Coogler recalled. “In many ways, it was a reason for the movie. It was about me not saying goodbye to my uncle. […] This scene holds immense importance within the narrative, serving as a central theme driving the film towards that moment.” Coogler has previously characterized Sinners as a heartfelt tribute to his family history, particularly focusing on his uncle James, who passed away in 2015 while Coogler was in post-production for the first Creed film. Upon learning of his uncle’s death, Coogler felt a profound sense of loss, noting, “It was something I felt I had to reckon with.”

The theme of loss resonates deeply throughout Sinners, affecting numerous characters, many of whom have recently lost loved ones or reflect on those who have been gone for years. Smoke dies reminiscing about his estranged wife Annie (played by Wunmi Osaku), who tragically perished during the vampire attack, as well as their infant daughter, who had died prior to the film’s events. Coogler’s own experiences with loss led him back to the blues music that his late uncle cherished, including the works of Buddy Guy. His uncle was known for enjoying blues records on vinyl while passionately following the San Francisco Giants baseball team. Coogler reminisced, “If the music was good and you had enough to drink, you might get a story out of him.” As he shared with EW, revisiting the blues years later felt akin to “conjuring [James’] spirit,” illustrating how Sammie’s music—like other forms of music from the African diaspora—can evoke the spirits of both the past and the future, a motif seen earlier in the film.

For Sammie, that unforgettable night at the juke joint remains the highlight of his life, a time when he felt truly alive while performing for the enthusiastic crowd. The same sentiment resonates with Stack, as it was the last chance he had to see Smoke, experience the sun, and feel “truly free.” Although music ultimately led to that traumatic event, it also served as the bonding force between them, both then and now, allowing them to connect one final time. It emphasizes the powerful notion that music can preserve the memories of loved ones long after they have departed.

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