Say goodbye to Boomerang, the streaming service dedicated to classic cartoons

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Warner Bros. Discovery is shuttering Boomerang, a streaming service devoted to basic cartoons, in response to The Hollywood Reporter. The platform began as a digital cable channel again in 2000 earlier than increasing to a streaming platform in 2017.

Boomerang will formally stop operations on September 30, giving subscribers round two months to shortly binge each Looney Tunes, Tom and Jerry and Scooby-Doo cartoon. Nonetheless, some content material shall be folded into Max. The linear channel will proceed to function through cable and satellite tv for pc suppliers, reaching an estimated 26 million properties.

Moreover, Boomerang subscribers shall be grandfathered into Max’s ad-free tier “with no change” to the subscription value “till additional discover,” in response to an e-mail despatched to customers. That’s a dang whole lot, as Boomerang prices $6 per thirty days and Max’s ad-free plan at present prices $17 per thirty days.

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Max

Max, nonetheless, is already residence to a lot of the identical programming as Boomerang. This contains Looney Tunes shorts, a number of Scooby-Doo exhibits, Tom and Jerry and The Flintstones, amongst others. It’s additionally residence to your complete catalog of Cartoon Community exhibits and loads of DC animated collection, like Harley Quinn.

The corporate hasn’t specified which exhibits and flicks could be making the transfer to Max, merely telling subscribers that “some Boomerang content material might not be obtainable” after September 30.

Boomerang isn’t the one cartoon-adjacent streaming platform on the chopping block. Child-friendly Noggin shut down earlier this 12 months after layoffs at dad or mum firm Paramount World. On the upside, Disney+ has loads of cartoons, given the pedigree, and the identical goes for Netflix and Prime Video.

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  • David Bridges

    David Bridges

    David Bridges is a media culture writer and social trends observer with over 15 years of experience in analyzing the intersection of entertainment, digital behavior, and public perception. With a background in communication and cultural studies, David blends critical insight with a light, relatable tone that connects with readers interested in celebrities, online narratives, and the ever-evolving world of social media. When he's not tracking internet drama or decoding pop culture signals, David enjoys people-watching in cafés, writing short satire, and pretending to ignore trending hashtags.

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