Joaquin Phoenix and Todd Phillips Weigh In

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The alternatives made on the finish of Joker: Folie à Deux are arguably the most important the explanation why the movie has been so polarizing. Whereas some discover them fascinating and insightful, many others discover them maddening and subversive. Two individuals who do just like the ending, although, are the movie’s co-writer and director Todd Phillips and its star Joaquin Phoenix, and in a brand new interview, the pair spoke intimately concerning the ending.

Chatting with IGN, Phillips and Phoenix mentioned Arthur’s selection to go away behind Joker—together with the truth that he dies, and the one that kills him. Let’s begin with the concept of what these films have been about in a bigger sense which, as you’ll learn, speaks to the one that kills Arthur on the finish of the movie.

“One of many issues that individuals by no means understood concerning the first film was, ‘I don’t get it. He visits Bruce Wayne and he’s 30 years older than Bruce Wayne. What sort of geriatric Joker goes to combat sooner or later?’” Phillips stated. “I don’t know when you’ve ever noticed the script of the primary film. The primary movie is known as Joker. It’s not referred to as The Joker, it’s referred to as Joker. And the primary movie beneath the script at all times stated ‘An origin story.’ By no means stated ‘THE origin story.’ It was this concept that possibly this isn’t THE Joker. Possibly that is the inspiration for the Joker. So, in essence on the finish of this film, the factor you’re being left with is ‘Wait, what’s that factor taking place behind him? Is that the man?’”

Okay, we guess that is sensible. It does additionally associate with Phillips thought of Arthur’s mindset on the finish of the movie proper earlier than he’s murdered. “I believe Arthur has discovered peace with the concept, with the wrestle that it’s okay to be your self,” Phillips stated. “And that’s actually what he’s at all times struggled with, you recognize what I imply? I wish to suppose he died at peace in a approach being himself. The child says to him, ‘You wish to hear a joke?’ And despite the fact that he thinks possibly it’s [Lee waiting to visit him] downstairs. We don’t even know what’s downstairs, however that kind of optimism that Arthur has, that’s nonetheless in him. He’s like, ‘Effectively, yeah, okay, in fact’ as a result of he is aware of that feeling of eager to make anyone snort. So he offers the child that second, proper? Clearly it goes dangerous as a result of, once more, all the things goes dangerous for Arthur, however I at all times suppose that’s such a wonderful second the place it’s like Arthur nonetheless has hope.”

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Phoenix echoed these sentiments. “There’s a heat in that scene, which is sweet,” the Oscar winner stated. “That’s all that I used to be excited about that I used to be after, is right here’s this younger man who’s telling me a joke and he’s nervous to inform me the joke, I can inform that he’s nervous, and I’m going to listen to him out. And it’s a fairly good setup.”

So, mainly, Phillips is saying the movies are a couple of man who goes by way of a journey to search out himself, lastly does, and dies within the course of. Then, alongside the way in which, he conjures up others to take his persona to the following stage and, properly, we’ll see the place it goes from there.

When you’d wish to learn extra from Phillips and Phoenix, head over to IGN. Joker: Folie à Deux is now in theaters.

Need extra io9 information? Take a look at when to count on the most recent Marvel, Star Wars, and Star Trek releases, what’s subsequent for the DC Universe on movie and TV, and all the things that you must find out about the way forward for Physician Who.

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  • David Bridges

    David Bridges

    David Bridges is a media culture writer and social trends observer with over 15 years of experience in analyzing the intersection of entertainment, digital behavior, and public perception. With a background in communication and cultural studies, David blends critical insight with a light, relatable tone that connects with readers interested in celebrities, online narratives, and the ever-evolving world of social media. When he's not tracking internet drama or decoding pop culture signals, David enjoys people-watching in cafés, writing short satire, and pretending to ignore trending hashtags.

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