House of the Dragon Director Breaks Down Alicent’s Big, Silent Moment of Horror

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Home of the Dragon‘s most memorable moments are typically flashy, (fairly actually) fiery, and shot by way of with agonizing violence. There was loads of that in final week’s episode, however episode 5, “Regent,” which aired final night time, gave us one of the vital highly effective reactions we’ve ever seen on the present—and in addition one of many quietest. In a brand new interview, “Regent” director Clare Kilner mentioned the way it all got here collectively.

We’ve seen admirable decisions involving shocking restraint earlier than on Home of the Dragon. One other massive instance from season two got here within the premiere, when Heleana witnessed her younger son’s brutal beheading, then scampered by way of the Purple Preserve to ship the information with an obvious lack of emotion. However that’s totally different than the way in which we noticed Alicent react in “Regent” when the Small Council picked her son, Aemond, to rule instead of the gravely injured King Aegon.

It’s a two-fisted blow, as a result of not solely are they shoving the way more skilled Alicent apart, principally primarily based on the truth that she occurs to be a lady, they’re additionally appointing somebody she is aware of might be a merciless chief. She additionally suspects, accurately, that Aemond’s the explanation Aegon returned from battle in such horrible form.

Within the scene, as an alternative of specializing in the smug, newly promoted Aemond as he begins issuing orders, Kilner brings the digital camera in on Alicent’s face because the sound within the room round her turns into quieter, and her bodily response (speedy respiration, speedy coronary heart beat) to what’s simply occurred turns into obvious. In Olivia Cooke’s rigorously calibrated expression, you see a lady feeling a blender of feelings: offended, disrespected, and insulted—but additionally panic. She’s terrified about what this may imply for the long run.

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Talking to the Wrap, Kilner defined why she held that shot on Cooke’s mesmerizing efficiency. “For each scene, I do a great deal of prep beforehand by way of breaking down the scene and looking out on the characters, however I additionally stroll onto the set with my DP and we discuss if we had only one lengthy shot how would we shoot it,” the director mentioned. “I used to be similar to ‘this might all be on Alicent. I may shoot this entire scene on Alicent.’ Additionally as a result of Olivia Cooke simply quietly brings every thing. Behind these eyes there may be a lot happening.”

Kilner defined that she and her crew all knew that was the proper selection. “Typically you don’t know if studio or individuals will allow you to do this. Everybody was on board with that. It simply turned so patently apparent that this large betrayal was occurring,” she mentioned.

New episodes of Home of the Dragon arrive Sundays on HBO and Max.


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  • David Bridges

    David Bridges

    David Bridges is a media culture writer and social trends observer with over 15 years of experience in analyzing the intersection of entertainment, digital behavior, and public perception. With a background in communication and cultural studies, David blends critical insight with a light, relatable tone that connects with readers interested in celebrities, online narratives, and the ever-evolving world of social media. When he's not tracking internet drama or decoding pop culture signals, David enjoys people-watching in cafés, writing short satire, and pretending to ignore trending hashtags.

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