Border Patrol’s Instagram Video Features Antisemitic Slurs

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Essential points

  • Video Content: A U.S. Border Patrol video featuring antisemitic lyrics went viral after being posted on social media.
  • Public Reaction: The video sparked outrage, with users on platforms like X and Instagram acknowledging its offensive nature.
  • Historical Context: The lyrics used in the video come from a controversial Michael Jackson song that has faced criticism for its antisemitic implications.
  • Agency Response: The DHS has a history of sharing far-right content, raising concerns over its implications and messaging.

A U.S. Border Patrol video featuring antisemitic lyrics went viral on X on Tuesday after far-right users discovered it had been posted to Facebook and Instagram. The video, which included the lyrics “Jew me” and “kike me,” was deleted from the platforms on Wednesday morning, though it’s not clear whether the offensive content was taken down by Border Patrol or Meta.

The 13-second video appears to have been posted to Instagram in August, but was pinned in the Reels section of the official Border Patrol page, making it more visible to a wider audience. The video only gained widespread attention late Tuesday on X, where far-right extremists celebrated a signal that was clearly intended for them. The Instagram video had 4.3 million views when Gizmodo viewed it Tuesday night.

The audio used in the clip comes from Michael Jackson’s controversial 1996 song “They Don’t Care About Us.” The song includes the lyrics “Jew me, sue me, everybody do me/ Kick me, kike me, don’t you black or white me.”

The lyrics were criticized at the time for being antisemitic, though Jackson defended his words, insisting he didn’t intend for them to be offensive. The singer, who died in 2009, issued an apology and later released an edited version of the song.

The antisemitic Border Patrol video

The video starts with footage of someone adjusting a bodycam before viewers see Border Patrol agents walking around with guns. Another shot shows a truck hauling Border Patrol dune buggies, and then a shot in the desert where a dune buggy kicks up dust behind it.

Gizmodo saved a copy of the Border Patrol video before it was taken down from Instagram and Facebook.

The video is very short, making it clear that the choice of lyrics was the intentional focus. Viewers are obviously meant to hear the antisemitic aspects, since it’s more or less the only audio in the 13 seconds being presented. DHS didn’t respond to questions from Gizmodo on Wednesday morning.

Comments on Instagram included people who clearly understood the message of the video as antisemitic. One commenter replied, “based song choice,” which was liked by the Border Patrol account. Another commenter wrote, “if you know, you know.”

Border Patrol Instagram video comments, captured Oct. 14, 2025. Screenshot: Instagram

Comments from the far-right on X were even more explicit, including “This deserves 6 million likes and shares,” a reference to the number of Jews who died in the Holocaust.

Other commenters on X marveled at how mainstream their far-right and antisemitic ideas were becoming, with one person writing, “This movie is taking a strange turn. It’s strange to me because I never thought I’d see this in the mainstream—it was always underground.

And while it’s accurate to describe the shift as “strange,” it was entirely predictable after President Donald Trump was inaugurated for a second time in January. Billionaire Elon Musk really kicked off the tone of the era with two Nazi-style salutes. Musk later denied he was making Nazi gestures, but many of his supporters clearly took it as a sign that they could drop the mask. Steve Bannon, a former top advisor to Trump, made the same salute not long after.

Trump himself has also said some extremely antisemitic things, including when he used the term “shylock” at a rally in July.

In fact, there’s an entire Wikipedia page devoted to collecting examples of Trump’s antisemitism.

None of this is new

U.S. Border Patrol is part of the U.S. Department of Homeland Security, which has been posting far-right extremist content since Trump took office for a second time. In a tweet on Tuesday, DHS posted just one word, “Remigrate,” a term more popular in Europe among the far-right that refers to ethnic cleansing through deporting non-white people.

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DHS also posted a video that included the words “Save America” in a typeface that’s clearly meant to evoke Nazi-era imagery.

DHS has frequently posted fascist propaganda using copyrighted material without permission, something that sometimes gets the content removed from the major social media platforms.

The people of DHS often know they’re the bad guys, like when they responded to questions from John Oliver’s HBO show by talking about the “heroism” of Darth Vader. The late-night host was asking about a video posted by Gregory Bovinot—the new face of anti-immigrant operations in the U.S., with his frequent appearances on TV—where Vader is destroying rebel forces labeled with things like “gang member,” and “fake news.”

Is a lot of this trolling? Sure, that’s one defense of it. But at some point, you own the words and images that you push into the world. And if you spend all day, every day saying racist and antisemitic things, people have to start taking you at your word.

Not to mention the fact that DHS has real power in the world to upend lives and has no business joking or “trolling” the American people. Agencies under DHS, like ICE, are currently harassing and arresting people for looking Latino. And that often includes American citizens.

The consequences

Ironically, DHS said back in April that social media would be screened for “antisemitism” by any foreign nationals in the country. In reality, DHS was looking for anyone who opposed the war in Gaza, falsely equating such a position with antisemitism. The U.S. State Department announced Tuesday it had canceled the visas of six people who had written negative things about Charlie Kirk.

Antisemitism runs deep in the modern Republican Party. Politico published leaked texts from the Young Republicans on Tuesday, which included messages like “I love Hitler.” Vice President JD Vance defended the texts and dismissed criticism as “pearl-clutching.” And guys like Vance know their audience. They can be dismissed as shitposters, but they’re some of the most vile racists on the planet, and they’re becoming normalized in ways that would’ve been unthinkable even a decade ago.

No Kings

Americans who are opposed to Trump plan to stage nationwide protests on Saturday, Oct. 18, for what’s being dubbed another No Kings rally. Republicans have tried to characterize the upcoming protests as hate marches, falsely insisting they would be full of “Hamas supporters.”

Treasury Secretary Scott Bessent told CNBC on Wednesday that the reason the government hasn’t opened yet is because of the upcoming demonstrations, a claim that makes no sense whatsoever.

“This crazy No Kings rally this weekend, which is gonna be the farthest left, the hardest core, the most unhinged in the Democratic Party, which is a big title. No Kings equals no paychecks,” said Bessent.

Bessent: “This crazy No Kings rally this weekend, which is gonna be the farthest left, the hardest core, the most unhinged in the Democratic Party, which is a big title. No Kings equals no paychecks.”

[image or embed]

Aaron Rupar (@atrupar.com) October 15, 2025 at 6:20 AM

The No Kings rally, which is likely to include a wide variety of Americans who are opposed to Trump’s fascist takeover of the country, has a website that allows people to find their nearest demonstration. It won’t just be the “hardest core,” as Bessent puts it, if past protests are any guide.

Here you can find the original content; the photos and images used in our article also come from this source. We are not their authors; they have been used solely for informational purposes with proper attribution to their original source.
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  • David Bridges

    David Bridges

    David Bridges is a media culture writer and social trends observer with over 15 years of experience in analyzing the intersection of entertainment, digital behavior, and public perception. With a background in communication and cultural studies, David blends critical insight with a light, relatable tone that connects with readers interested in celebrities, online narratives, and the ever-evolving world of social media. When he's not tracking internet drama or decoding pop culture signals, David enjoys people-watching in cafés, writing short satire, and pretending to ignore trending hashtags.

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